FRS: AAA

AAA1 copy

 

So, you guys are quite familiar with what FRS is right? Right?

We have no idea why we keep asking this, but it cuts the cackle and come to the osses’.

Yes, that is a phrase.

It is a phrase like how AAA is a movie.

+500: This movie got made, absolutely. Like if you are screenwriter, which means you are also the director here and if you walk up to a financier and say that this is going to be my movie, we don’t know; maybe there a lot of risk hungry financiers out there or let’s just call this Avant-garde art film( we have no idea what it means, but if you are in a written quiz this phrase will fetch you part points somewhere), because none of us are equipped to even classify what AAA is.

What is AAA? Let’s find out seekers of the truth, let’s find out.

-5: above phrase has repetition, to add effect.

-389.108: narration irritations, like seventy years of movie making and people can’t kick this habit and in AAA we don’t even know who is narrating, some old fellow somewhere in dubai etc, the whole film is narrated in his POV but then again scenes are not written from his POV which means that we are shown things that he has no way of knowing, this is simple boss, why should we keep saying these things. Who is this narrator guy anyway? Troubling.

Just start with something like you guys know what FRS is right? Right? People who know will follow, others will find out, if they want.

-10: Dubai

-25: If hero goes to Dubai he will become a Don only (not oxford don, underworld don)

This is of course an extension of the rule, if hero goes to X location, he will become an underworld don only. No other occupation is worthy of the Tamil movie hero, he is either simpleton farmer, urban agitator or underworld don.

He protects the masses in all cases. Of course, gets the girl also.

Introducing let’s blame it on Godfather clause, ever since Coppola’s movie came out, every other filmmaker thinks it is the best profession for mass hero which results in over romanticising of illegal activities. Like have u guys seen Goodfellas or not?

-15: Madurai

If hero is from Madurai he will not be veterinary doctor, he will be ‘veritanama killer’ only, also obviously, he will work for a don there, like not even freelancing.

-30: Movie made with the assumption that even killing a life is justifiable, as long it is done by a hero.

+50: Hero syndrome: In AAA hero’s friends believe that Madurai Michael is special, but example of his speciality is ever displayed, yes he kills people for living, but then friends be like “Wow da dei super da, semma da”.

In real life, real friends assess you and bluntly put out your lack of talent in stuff out in the open.

Like how our friends tell us all the time that we suck at writing, but we continue to, maybe we should get some cinematic friends who praise even the shite that we write.

Nevertheless, this is becoming too emotional for us.

-10: Hero’s friends have no reason to be alive expect to sing praise of the hero.

Update to the reader: 500 words and we haven’t even come to the opening song sequence yet

We try and improve our vocabulary once in a while, like hey, we are writers you know and the new word we are using here is: demure.

-12: Demure lady falls in love with demolishing hero trope. Also, if you are contract killer in Madurai, you have enough time to do romance and all. Must be good profession.  But no work from home option available since it is an on the road job. Hmm.

+50: Opening song, hero claims that he is no one without us. (not the Laureate, us here refers to the audience at the large). Which is true because we buy tickets.

-17: Why will a town celebrate a contract killer, who like weekly kills one of their own is a big question that needs answering. Unless of course Madurai Michael and STR are used interchangeably.

-25: Heroine’s father portrayed like a stupid man who has a ‘thing’ for switches, the sad state of heroine’s father is a sorrow song in the history of tamil cinema.

Notice how Y Gee Mahendran has Bhiarava wig.

Everybody has a wig in Madurai, hair raising city.

-10: Mouth to mouth resuscitation which can bring back a life in emergencies is used for comedy effect

-10: Something something happens and we end up with an old STR who is an ex-underworld don but now in Chennai feeding pigeons under the alias Ashwin Thata.

Yes, really.

<Insert Interval Block here>

 

-12: Thata means not really thata, Simbu looks more like middle aged only, but I guess at this point in the movie they don’t really care.

-51: failed prosthetics is failed only. Gurunathar Michael Westmore will not be happy.

+34: Ashwin Thata wears good clothes that even IT employees don’t get to wear on fun Fridays.

If you don’t know fun Fridays, then you are better off not knowing.

+5: Tammanna aka Tammy plays a social worker who life mission is to bring happiness to the lives of elders.

+6: Since Tammy is doing this social service, we hope this will be followed by millions of youth

+11: Heavy duty Tammy dancing, not Devi level though

-57: All songs whenever, wherever, most mimic STRs previous films, tune setting everything

+5: veteran Nilu calling up STR and addressing him as Machi. LOL

Suddenly Tammy & thata become expert painters of portraits, when and where did they learn this art, do underworld dons go to summer camps with kids to learn water colors?

Interesting questions, no answers

A repenting ageing don, seeking to colour the rest of his life by joining a summer painting class. Now that’s a movie there. Go make it,  ideas are not only bulletproof, here we give it for free.

-91: Director thinks mere presence of Mottai Rajendran and Kovai Sarala will make us laugh like anything, like they need to do something hai na?

+100: Director gives three to four movies for the price of one, in fact AAA is an assemblage of all STR films put together, there is a monologue like VTV about love, there is the age difference love matter from Vallavan, there is the I will do anything for my friends thingy also from Vallavan, there is the “Dei all girls will ematify boys” from Manmadan, heck there is even a recreation of Thallipogadey from AYM with Mottai Rajendran and Kovai Sarala.

The last bit is a must watch for sophisticated GVM fans.

Yes, all of this is there in this one movie, in fact all of this happens in the second half which means that this movie has taken controlled randomness to a different level.

You know something is going to happen, but you don’t know what, but you can guess it is from an earlier STR film.

AAA itself is an existential film where STR lays out all his glories and worries right before the audience and asks them to choose what path he must take, it is really deep that way.

-56: Three four fights happen, but we didn’t really get what was happening

-26: Two hours into movie and director cannot decide if the movie is romance, gangster or comedy

-71: Tammy thinks (or director wants tammy character to think) Rajni+Kamal=STR (actual line, not extrapolated by FRS fact checking team)

-34: Hero spends two minutes explaining to everyone the ill effects of drinking.

Starts drinking next second

+68.91: Thikku Siva LOL Spoilers LOL

-145: General discourse on how boys and how girls are….yeppa yawn

<Insert cue for part two>

<Yes there is more>

Until then it is goodbye from

THE FRS Team

Subam

Vanakkam

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They Who Need Not Be Named

Parking Lot Notes 2: Maanagaram

Maanagaram

Adhavadhu(that is…),
humanity’s greatest achievement is not the great wall of china or moon landing or the moon landing tapes, but cities.

We weren’t meant to live in caves, or in forests or spend our lifetimes working with crops and pests and pesticides, notice how we came from all that into this density of human life, simply called the city.
(Density, city rhymes, +5 marks, self evaluation as they say in some industries)

But not everyone, mostly not those originally from a city seem to like life in one, they prefer rural silence to urban violence, the slow pace to a rat race. Also non-citizens (here meant to denote those not from a city) tend to think that there is some sort of moral loss that happens in a city and that this loss is communicable.

Mainly this idea has been spread by Tamil(also others?) cinema.

Innumerable movies talk about the helping tendencies of the rural-ites, their hardworking-ness and their ever helpful nature. Cities however are the polar opposite, if a village can be compared to the character of a hero, then a city is the serial rapist villain who has bald thug named ‘Peter’ who spits Pan Parag in railway ticket counter corners.

Nevermind.

Like all things in reality, cities are inescapable, for me they represent human life at its aggregated best; a place where differences blur because everyone is pushing against each other towards an unknown center.

Without cities, we would be even distant islands of self image and comfort. Without cities we would still be somebody. See, because one of the best things that a city offers you is anonymity!

Like rain water, sewage etc etc making it to the sea, we all make it to the city.

It doesn’t matter who we are and where we are from.

Maanagaram is what knowledgeable people call a hyperlink film in which multiple characters pursue their own stories but are united in the core theme of the film, which is ofcourse about the city.

But wait, this is not Ayutha Ezhuthu, this is better( hi to all Madras Talkies), with much likeable characters, pulsating music, open your mouth in amazing disbelief kind off opening titles, swear words and their social context, broken beer bottle into your neck kind off action and generally Chennai by night( which is the biggest plus)

Underneath all this is a thread of that of the kindness of strangers, how far will someone go for another man(or woman); invisibly connecting all the characters that inhabit this city, I mean film.

Maanagaram, one of the best films out there this year ( coughs and says Gaudam, “what does your instict say”) not only because of its extreme filmmaking and exciting characters but also because Maangaram gives the best that every big city offers: anonymity

Untill next time.

 

{Parking Lot notes initially appeared as a Facebook post somewhere}

FRS: Singam 3

So you all know what an FRS is right? right? OK

s3_3

-5 : For every fellow who said Singam 3 is very loud, boss he is shouting in the poster for Godsake, also you do some 300 poster/teaser breakdown videos, like you didn’t expect it or what?

Singam is supposed to be loud, that is the point, what did u expect Silence?

Adhu Scorsese film.

#HariDa

<Adra! Adra! Adra! Adra!> read it in caps

+151.3: Hari, perhaps the only big budget director currently operating with a stamp of his own, commercial filmmakers mostly focus on the returns, but Hari is perhaps the only one who focuses on increasing excitement film after film, testimony to this is the title credits of a lion literally jumping over roman numerals I and II, only to leap over a gigantic III and roaring at those assembled.

I mean what’s not to like.

+1.5 Tonne: Suriya, yow what a performance; we were reading somewhere that for an audience to feel what actor is doing on screen, the actor must really feel what is really happening around him, Suriya takes method acting and combines it with monstrous rage.

As DCP Duraisingam Singam, Suriya becomes his own animal (see even we write such loaded phrases) , throughout the movie the camera and Suriya try and compete with Hari’s screenplay.  Faaaaar better than when he is restricting himself in other films(hi to Pasanga 2 and such), maybe a component of Singam-rage is against his other directors?

Only time will tell.

So fast is that what is happening on screen that if you allow it in the Olympics, it would win a medal or something (we write such phrases as well )

Also watch out for the 1.5 tonne reference

-712: Shruti Haasan,

or in other words, because we killed Hansika in the previous film (same character, different occupation)

+45: Home Minister Vijaykumar: for being the longest serving Home Minister and having more powers than American President so that he can send Duraisingam to any corner of the universe and take over cases, i think Singam 4 will be about how some Russians steal cement from Thoothukudi for the international space station and only Duraisingam can bring it back.

+007: Yes, Duraisingam is our James Bond, like really he is, well he doesn’t sleep around and has family and all and drinks only green tea, but really he is. Bond too is driven by rage and patriotism (which again came into much question, when the character turned gray), but even he wont be able to match Duraisingam in commitment

Open thread:  Also what is with this liking towards gray characters? why a film with gray protagonist always treated with some deference, here in Singam good cop vs bad guys, why should the film be anything else?

-95.7: Soori, not even telling how bad this comedy track is

+6: Even in item song, Duraisingam will be watching for clues, rest of audience is watching Neetu Chandra

-6: Item song

+120: 2nd Biggest mystery in Indian Cinema answered in SIngam 3, no not telling what it is

+61: For a villain who has memorized latitude and longitude of every place, I have not seen anything like this before and another villain whose cheeks vibrate like a suppressed mobile phone (yes)

+10: When Government has any doubts in Indian Penal Code, they can ask Duraisingam, a hero who knows his law and a villain who loves geography, this is really the most academic movie I have seen since Pallikoodam.

-42: In Singam 2, Duraisingam climbed up and down a full mountain in 2 minutes, nothing in Singam 3 has been able to match that, but almost running down a plane using a police jeep is almost there

s3_4

-214: Drones: there are only three types of shots in the film and shot-breakdown is as follows

Singam rage shot: focuses on him mouth dialogues, total rage in closeup (11%)

360 Singam shot: camera going all over the world to cover action sequences without skipping a beat (4%)

Drone Shot(85%): Every other shot in this movie is a drone shot, sometimes in the second half we began to think whether we are sitting in movie theatre or watching the world from a chartered flight. DEI!

Movie could have been called Singam III: Attack of the Drones

-20: Ethical Hacking monologue, also first Tamil movie to feature ethical hacker Ankit Fadia look-alike

-4: Ankit Fadia

-52: All songs whenever, wherever, I mean Harris Jayraj would have taken a holiday to some Bodhidharmar cave for peace and self reflection because, this movie is totally NOT for him, even Adra! Adra! Adra! doesnt make it.

#MissingYouDSP, but yeah Duraisingam shouting would have drowned the BGM anyways.

+77: Something , something , something happens, before you reach halfway point in popcorn box, movie is actually over.

No really it is like that.

Hari never disappoints, he gives you 1200 for your 120 rs!

It is not like you are going to remember the scenes.

+44: Singam films offer a kind of high that most films can only aspire about, coming out of the theatre, people were seen walking in upright swagger and showing symptoms of wanting to hit someone right in the middle of the head.

Yes even some FRS writers reported this feeling.

This however can be calmed by listening to some eight hours of Gangubhai hangal type music, only then.

Just beware if you are a person of dubious character, Duraisingam might just be a phone call away. We loved it, we really did.

All numbers incidental and arbitrary.

Subam

THE FRS TEAM