FRS: Vivegam

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So we all know what an FRS is right? right?

-100: To us, we haven’t changed this boring intro, even with 14 writers on our payroll the fact that we can’t write a decent opening, shows the levels at which incompetence has seeped into the Laureate.<SHAME>

+5: Movie has no narration, a virtue especially when the last film we saw was Taramani.

-5: Whenever minor character says that they have x levels of security means mega security failure will happen within x minutes (Mega Security Mazhuppal Rule)

+30: Two eastern European uncles have been cast in such a way that just by looking at them you will know that they are villains, one has cigar also

-51.25: When confronted by assassin, victims will state their name, age occupation, designation and aadhar number(liberals no need to provide) so as to make life easier for the assassin.

Assassin is of course our AK

+21: hero’s name is AK!! hero’s character name is also AK!! how cool is that, i mean how inventive #AK25.

+101: How the movies have changed, like actors used to ‘play’ characters like villain, spy, doctor, minister etc; but in Vivegam it is what critics will call ‘turning-genre-by-the-head’

Wait buddies, we will explain.

Like Vivegam is not a story about a spy, it is about Ajith Kumar (AK) if he had chosen to become a spy instead of an actor. Yes that is the story.
+34: Writer-Director has embarked on toughest task of making every dialogue that AK speaks as punch dialogue.

Even when AK asks for sugar it is so menacing that you will not let children go near AK. More about children later
-54: Story? LOL what story?

-129.07: Messaging: Like this is not a movie this is AK’s personal videos to his fans,

+21: Serbians are not going to like this film

+50: AK’s super power is that no bullet will hit him unless he wills it himself, much like Mahabharatam Bheeshmar.

+112.33: When facing an entire army, always look at the camera and speak with optimism in tamil, this itself will confuse them. (AK’s escapism rule)

-34.5: As expected, dutiful AK will have cute family life

-11: GVM school of non-ordinary heroine naming, here it is Yazhnini, and of course she is a carnatic music teacher in inteeerior Serbia.

Hi to Cleveland Thyagaraj+ Death Metal Thangaraj

Oh wait, they also run cute tamil organic food restaurant which is popular among the locals. <Yeppa Dei Nativity>

-379: However cute, children must not be allowed in cooking area, safety reasons.

-150: Cute children

-29: As usual, hero looking at heroine playing with rain drops scene, hence love shot

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Pokkiri Pongal and all ok, have you seen Serbian Pongal? #Internaaational

+17: Yazhini is so the dutiful wife that even Valluvar’s Vasuki will have to take morning tuition from her.

-600: AK-Yaazhini level ideal couple pressures will seep into real life for couples after seeing the film.

Not ruling out divorce based on this pressure.

-89.12: Anti-Terror Squad head-office looks like one IT company with reception and all, I think they might have pre-sales division also, if free please put out JD at naukri boys!

+109: As expected head of Anti-Terror Squad is played by one person who will believe whatever people will say

+45: Hobbies: apart from being a top class spy, killer, assassin, strategist, husband, organic food chain owner AK is also a New York Times best-selling author

-300: War as photo-op: no seriously if you are army uncle in Serbia you will have lot of time to stand on tanks, do circumambulation to fighter jet, go to picnic, take and remove sun-glasses.

Yes, in slow motion.

-6.7K: Everyone talks about AK, every single character will talk about AK in the film, AK also talks about AK.

+23: Director believes hackers can do anything in life. ANYTHING

-56: If you are low ranking/new recruit in the espionage business you will be treated as a comedy piece (Arumaiprakagasam)

+902: Main Job of main villain is not to break the world into pieces but to praise AK, second job of main villain is to take over the world.

+15: Dei, in this movie everything is one hologram, even things you can do in simple PPT these villains will show in hologram.

Yeppa sci-tech-death

+15: Level of data analytics is MAX. eg: villain will shout: find the total number of running trains in Serbia, in that how many people are watching hot star in that how many people are eating lays chips type questions and his data team will give the answer within seconds.

Add to this, you will see 456 types of tracking and hacking #scitechdeath

We asked our data analytics team in Pune a simple question, how many people visit our blog nu. Still these fellows are giving reports.

 

-433: For our data analytics team

AK does data analytics in his mind only, so he does not need team.

+9: Phoenix paravai!

-213: Mind numbing mind games AK and villain will play for three hours, at this point we shouted “VARENNNN MAAAA!” into our phones and recorded the same for future use

Also all fights become tiring because anyhow you know that AK is phoenix paravai and nothing will happen to him.

-0.98: Analysts are telling that running time of the movie increased…..because….of….the….way…..AK…………spoke………………the……….dialogues……..given to…….him…..

-75: Spy uncles think that shutting down satellites is like switching off fan while leaving classroom

+101: Carnatic-mixed-martial arts based climax fight. One of its kind in Indian cinema.

AK’s T shirt rule: quality of t shirt will deteriorate towards the end of the movie so that it can be torn to reveal torso

Yes they have promised sequel and all.

Till then….

NEVER.EVER.GIVE.UP.

 

Subham/Ungal Naam

The FRS Team

Vanakkam

 

 

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Out of The Past: Farewell, My Lovely (1975)

 

FML6 copyI have concluded that reading Raymond Chandler at an impressionable age has contributed the most to my further life choices, be it ‘literature’, movies, terse sentences and of course typing in the ‘courier new’ font.

Chandler started writing when the oil industry crashed and he had nothing much left to do, his creation reflects himself; being weary is his core competence.

If I could go back and play the irritating game invented for social engagement, ‘describe your creation in just one word’, Chandler would have said “tired”. If he was kind, he would add, “I’m tired. Enough!” As always breaking the rules.

So when there is a delay in our usual blog posts, it is probably because we are generally tired. Tired of ourselves, tired of the world, tired and yet careful not to add the growing empty mass that is film writing.  Readers must be thankful in that case.

We forgot to add one word to the above: growing boring empty mass that is film writing.

Boring.

 

 “You’re a very good-looking man to be in this kinda business”

Enter Robert Mitchum

Marlowe is supposed to be in his mid-thirties in the works, curiously but not unnatural the best portrayals of the private eye has come from very old ‘has-seen-it-all’ men.

Bogart was in his forties and Robert Mitchum almost touching sixty, it’s that kind of a role. It requires that kind of experience, it is the ‘hamlet’ of all detective roles, no I’m not joking. A sequel to the Big Sleep was called ‘Perchance to Dream’ which is from the famous of all famous soliloquies.

People and war have made our hero tired, and out of this tiredness comes sparkling wisdom.

Why does Marlowe still do it?

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For the much quoted “25 dollars a day plus expenses?”

Nah, Marlowe doesn’t snoop around for money, but he doesn’t evoke moral mightiness too, he certainly doesn’t identify with a cause or putting criminal behind bars. Thankfully he is not insufferable with his ‘genius’ and actually very funny, like a real person.

I guess he just likes looking at people and what they do.

Looking brings us to Robert Mitchum, in many ways the spiritual remnant of Bogart’s distant masculinity, but looking at Mitchum’s eyes we know that this present sadness had once seen sparkle, that alone makes me feel that Mitchum is truer as Marlowe.

Marlowe watches because he knows that deep down all the depravity there is some tenderness, that’s all he looks for in a client, not money, not name, not fame. And he will do anything to look at that tiny true part of yourself.

Evil doesn’t startle him as much as innocence and goodness

People first, plot go to hell

 

For Chandler, the plot was secondary, the characters weren’t, he would never describe anyone unfairly nor would he puncture them for the sake of plot.

An open opponent of this whole locked room plotting business made him see people as people and not as clues or alibi to get going to the next page.

Marlowe is the same wise-ass to the police as he is to the crooks. An ending in a Chandler story is not its logical conclusion or hurrah for its hero, but the acceptance of reality.

The thread of Farewell My Lovely the film is very simple and it follows the book closely, just out of jail thug Moose Malloy wants to get his girl back. Will Marlowe do it or not?

And the hits keep on coming

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Marlowe is always narrating his tale, when we meet him he is just out of a case, naturally tired; Mitchum looks like he just wants to go home but cannot when confronted by his innocent of a thug client.

Within moments Marlowe becomes the centre-piece of a worm caught in a web, and all he does is just give a sideward glance.

Very easy to be dismissed as non-acting, especially in the age that we live in (as in the golden age of non-acting); but I think tiredness is difficult to bring out as an emotion without being dramatic.

Mitchum gets hit on the head, shot at, danced with, seduced by, but all through the film but he plays it like a detective who knows the ending every single time, people will be people.

I don’t really care about the twist in the end

There is a twist in the end, but the film (naturally the novel) is not moving towards it a big reveal way, for fans of detective fiction and crime thrillers this could prove dampening.

Many things happen and so does a twist.

Detection truly could be one of the most boring jobs if not for the humongous amounts of exciting literature written about it.

<pause for reflection>

Maybe all jobs are boring or it is the nature of them to become boring. But somehow Marlowe and hence Mitchum(because of his ability to understand the character) seem to have cracked it.

This detective is a seeker of the intangible, something remote and indescribable as human kindness, that is his spiritual quest, something not even the thighs of a femme fatale or the muzzle of a gun could distract him from.

Hamlet of the detective class, indeed.

That’s an admirable state to be in and this is an admirable movie.

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Out of the past is our series on movies that are anything but current,new,fresh etc; we find the idea of film writing just for the sake of a movie release distressing and also it demeans the timelessness of film itself. Mad or what, we won’t be reviewing old films,just writing about them.

 

 

 

FRS: AAA

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So, you guys are quite familiar with what FRS is right? Right?

We have no idea why we keep asking this, but it cuts the cackle and come to the osses’.

Yes, that is a phrase.

It is a phrase like how AAA is a movie.

+500: This movie got made, absolutely. Like if you are screenwriter, which means you are also the director here and if you walk up to a financier and say that this is going to be my movie, we don’t know; maybe there a lot of risk hungry financiers out there or let’s just call this Avant-garde art film( we have no idea what it means, but if you are in a written quiz this phrase will fetch you part points somewhere), because none of us are equipped to even classify what AAA is.

What is AAA? Let’s find out seekers of the truth, let’s find out.

-5: above phrase has repetition, to add effect.

-389.108: narration irritations, like seventy years of movie making and people can’t kick this habit and in AAA we don’t even know who is narrating, some old fellow somewhere in dubai etc, the whole film is narrated in his POV but then again scenes are not written from his POV which means that we are shown things that he has no way of knowing, this is simple boss, why should we keep saying these things. Who is this narrator guy anyway? Troubling.

Just start with something like you guys know what FRS is right? Right? People who know will follow, others will find out, if they want.

-10: Dubai

-25: If hero goes to Dubai he will become a Don only (not oxford don, underworld don)

This is of course an extension of the rule, if hero goes to X location, he will become an underworld don only. No other occupation is worthy of the Tamil movie hero, he is either simpleton farmer, urban agitator or underworld don.

He protects the masses in all cases. Of course, gets the girl also.

Introducing let’s blame it on Godfather clause, ever since Coppola’s movie came out, every other filmmaker thinks it is the best profession for mass hero which results in over romanticising of illegal activities. Like have u guys seen Goodfellas or not?

-15: Madurai

If hero is from Madurai he will not be veterinary doctor, he will be ‘veritanama killer’ only, also obviously, he will work for a don there, like not even freelancing.

-30: Movie made with the assumption that even killing a life is justifiable, as long it is done by a hero.

+50: Hero syndrome: In AAA hero’s friends believe that Madurai Michael is special, but example of his speciality is ever displayed, yes he kills people for living, but then friends be like “Wow da dei super da, semma da”.

In real life, real friends assess you and bluntly put out your lack of talent in stuff out in the open.

Like how our friends tell us all the time that we suck at writing, but we continue to, maybe we should get some cinematic friends who praise even the shite that we write.

Nevertheless, this is becoming too emotional for us.

-10: Hero’s friends have no reason to be alive expect to sing praise of the hero.

Update to the reader: 500 words and we haven’t even come to the opening song sequence yet

We try and improve our vocabulary once in a while, like hey, we are writers you know and the new word we are using here is: demure.

-12: Demure lady falls in love with demolishing hero trope. Also, if you are contract killer in Madurai, you have enough time to do romance and all. Must be good profession.  But no work from home option available since it is an on the road job. Hmm.

+50: Opening song, hero claims that he is no one without us. (not the Laureate, us here refers to the audience at the large). Which is true because we buy tickets.

-17: Why will a town celebrate a contract killer, who like weekly kills one of their own is a big question that needs answering. Unless of course Madurai Michael and STR are used interchangeably.

-25: Heroine’s father portrayed like a stupid man who has a ‘thing’ for switches, the sad state of heroine’s father is a sorrow song in the history of tamil cinema.

Notice how Y Gee Mahendran has Bhiarava wig.

Everybody has a wig in Madurai, hair raising city.

-10: Mouth to mouth resuscitation which can bring back a life in emergencies is used for comedy effect

-10: Something something happens and we end up with an old STR who is an ex-underworld don but now in Chennai feeding pigeons under the alias Ashwin Thata.

Yes, really.

<Insert Interval Block here>

 

-12: Thata means not really thata, Simbu looks more like middle aged only, but I guess at this point in the movie they don’t really care.

-51: failed prosthetics is failed only. Gurunathar Michael Westmore will not be happy.

+34: Ashwin Thata wears good clothes that even IT employees don’t get to wear on fun Fridays.

If you don’t know fun Fridays, then you are better off not knowing.

+5: Tammanna aka Tammy plays a social worker who life mission is to bring happiness to the lives of elders.

+6: Since Tammy is doing this social service, we hope this will be followed by millions of youth

+11: Heavy duty Tammy dancing, not Devi level though

-57: All songs whenever, wherever, most mimic STRs previous films, tune setting everything

+5: veteran Nilu calling up STR and addressing him as Machi. LOL

Suddenly Tammy & thata become expert painters of portraits, when and where did they learn this art, do underworld dons go to summer camps with kids to learn water colors?

Interesting questions, no answers

A repenting ageing don, seeking to colour the rest of his life by joining a summer painting class. Now that’s a movie there. Go make it,  ideas are not only bulletproof, here we give it for free.

-91: Director thinks mere presence of Mottai Rajendran and Kovai Sarala will make us laugh like anything, like they need to do something hai na?

+100: Director gives three to four movies for the price of one, in fact AAA is an assemblage of all STR films put together, there is a monologue like VTV about love, there is the age difference love matter from Vallavan, there is the I will do anything for my friends thingy also from Vallavan, there is the “Dei all girls will ematify boys” from Manmadan, heck there is even a recreation of Thallipogadey from AYM with Mottai Rajendran and Kovai Sarala.

The last bit is a must watch for sophisticated GVM fans.

Yes, all of this is there in this one movie, in fact all of this happens in the second half which means that this movie has taken controlled randomness to a different level.

You know something is going to happen, but you don’t know what, but you can guess it is from an earlier STR film.

AAA itself is an existential film where STR lays out all his glories and worries right before the audience and asks them to choose what path he must take, it is really deep that way.

-56: Three four fights happen, but we didn’t really get what was happening

-26: Two hours into movie and director cannot decide if the movie is romance, gangster or comedy

-71: Tammy thinks (or director wants tammy character to think) Rajni+Kamal=STR (actual line, not extrapolated by FRS fact checking team)

-34: Hero spends two minutes explaining to everyone the ill effects of drinking.

Starts drinking next second

+68.91: Thikku Siva LOL Spoilers LOL

-145: General discourse on how boys and how girls are….yeppa yawn

<Insert cue for part two>

<Yes there is more>

Until then it is goodbye from

THE FRS Team

Subam

Vanakkam