Parking Lot Notes: Thupparivaalan

TP3

It begins with the light of a matchstick, an aide in a search or the dispeller of darkness.

That is what essentially a detective story is about; the search for answers and the journey into the unknown.

The detective, our guide or sometimes a co-traveller.

While the opening statement might seem grandiose, this was the first thing that struck (like that match) while watching Mysskin’s Thupparivalan. A detective also fits the mould of the director’s heroes who are seekers.

Fitment is also found in the casting of Vishal (also the producer) as the tall, loner with a bent towards the martial arts as Kaniyan, the detective of the film, but movie making is not just casting.

Thinking through the course of the movie (which the movie allows you to do once you catch it by the flow,which would not be tough if you had been living with a steady supply of detective novels) made me wonder why there was something missing in this homage to the creations of Conan Doyle.

Everything seems to be in place, which by itself is a cause of worry.

While Kaniyan’s room looks like it has been vacated by the BBC and not a living room that would suit the city in which this movie is set, the detective and his trusted sidekick seem to advertising for Indian Terrain in the meanwhile.

I dwell on these extraneous factors only because the characters are flat, whether this is a conscious decision is something best left to the maker.

A character being flat in a film, which more or less depends on the interest created by that lead character, is what I deduct to be the problem.  Especially when your lead is a character that is a shade of the great detective (Sherlock, as we speak is one of the most assumed characters on the screen).

Great ‘Holmes’ of the past have been played by dramatic actors, this would include Jeremy Brett who made the role his own, portrayals since have been either variations of what Brett did or to do what Brett did not do and hence stand out.

The eccentric nature of the Holmes-ian character cries out loud for an expressive actor who can control his/her expressions, which is why I insisted on the word ‘dramatic’; that was the big miss and thus bringing down the levels of excitement.

Sensation and excitement are two keys to the same room in a detective story; Thupparivalan on the other hand is locked in another room filled with Mysskian tick-tock henchmen, beautiful pick pockets and a climax that would reiterate that we already have the best locales for filming. It could be great cinema, but is it engaging?

The Sherlock Holmes homage pool is an ever-deepening one and whether Thupparivalan enriches this pool is something that needs to be seen, but for Tamil Cinema we now have a mainstream detective and I have Arrol Corelli’s teaser music on loop.

 

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